
First, Capote. The movie is a slice of Capote's life rather than a sweeping life-saga, focusing on his In Cold Blood-researching/writing years (1959-1966-ish). I guess the hardest thing about portraying Truman Capote would be to not overdo it to the point of being a caricature (though he was kinda a caricature in real life). Philip Seymour Hoffman is more than up for the challenge. Though he has some grand gestures, it's the tiny, almost imperceptible tics and habits that make you believe you're watching the real thing. And Catherine Keener as Nell Harper Lee is powerful and understated - just the way a good Southern woman, who happens to be a brilliant writer, should be.

The second, Good Night and Good Luck. Shot in glorious black and white (which I love, by the way), the film harks back to a time curiously (scarily) like our own. Ace CBS reporter Edward R. Murrow pushes television

David Strathairn as Murrow just nails the performance. The solemn delivery, the ever-present cigarette, the no-nonsense mannerisms - within minutes, I forgot I wasn't watching the real guy. The rest of the cast is just as solid - George Clooney

Clooney grinds a darn good ax here - an ax that needs grinding continually in our history, it seems. Would that we had journalists today willing to face down the powers that be.
The New Yorker reviewed both films in an October article, if you're interested.
The other movie I saw was Harry Potter, the second time for me but my friend hadn't seen it and was really keen. Enjoyed it just as much as the first time I saw it. Tomorrow, The Producers - saw the original cast on Broadway, but I don't mind reliving it on film (though I'm not expecting it to be as thrilling as the live performance, natch). And I may push my movie-going stamina to the limits by going to Narnia on Tuesday evening. We'll see. I may be filmed out for a while after tomorrow. I'm already on popcorn-overload.
OK. Push yourself away from the computer, and run to the theatre!
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