
The dancers are dressed in pre-G-string/leg-warmer dance clothes - very Saturday Night Fever-ish - a reminder of how modest things were then. Sexy, but not the hoochi-mama stuff of today. And the orchestrations kept that great 70's funk sound, lots of Shaft-like riffs.
Cassie's 20-minute singing/dancing tour de force, "The Music and the Mirror," still blows the roof off the theatre. Charlotte d'Amboise completely rocked. She did the part and Donna McKechnie proud. And I thought Val's "Dance 10/Looks 3" (the "Tits and Ass" song) was better than I'd ever seen it (though I never saw the Broadway original). The part of Sheila (originated by Kelly Bishop of Gilmore Girls and Dirty Dancing) was played by a fabulous black woman who brought a different edge to the role.

My feeling that the show is fundamentally about working and sacrificing for something you love did not change after seeing it thirty years after I first saw it. In fact, that feeling resonated more strongly than it did when I was 25.
Face it, a whole lot of us fell in love with A Chorus Line when we were in our 20's - still plenty of time to make those dancing (writing, building, teaching, insert-your-dream-here, etc.) dreams come true. Now, there's not so much time. Were we able to do it - work and sacrifice for what we love/d? Has it been "one singular sensation" or one big ol' mess? Age put a whole new light on the show for me.
And though A Chorus Line isn't my favorite musical of all time (but definitely in the top 10), it reminded me of a poignant connection between myself at 25 and myself at 55. Good show.
Won't forget, can't regret what I did for love.
1 comment:
It sounds wonderful Mary! Thanks for the review...has it been 30 years already? YIKES!
Post a Comment